Skip to main content

In the mood for love

 Wong Kar Wai's  2000 movie touched me deeply. Even though I am not in the mood for love now, I feel a sense of closeness to the characters that I can't explain. I have never been in their situation, and I don't know how I would act if I were them, but the way they are portrayed, the mixing of emotion and daily mundane chores, their emotional intelligence and refrain, all come together in harmony.

Perhaps the aspect I love the most of the movie is its ability to make small spaces look beautiful. I grew up in an aging city where people cram into small apartments, small houses. The alleys that we see in the movie are also there in my childhood. I still have dreams of navigating the winding, dark, unattended alleys. But Wong Kar Wai uses these unappealing places as a setting for the beautiful emotions that arise between the leads. Suddenly the memories of my childhood that I consider to be ugly and abandoned, come to life with vibrant colours, dazzling patterns.

I also loved the use of mirrors to make small spaces look big, and expands the mental space of the scene. The two characters who are in love are framed by their families and by the apartments they live in, but when they are in love, they live beyond the confines of the space. There are many scenes where the two characters don't look at each other, but their reflections in mirrors of different angles reveal the same emotion, sometimes happiness, sometimes weariness.


Some people interpret the feeling of the movie to be quite pessimistic. These are lost opportunities of love, dying of youth and lack of freedom. But I see this story as two people sharing company, sympathizing with each other and helping one another through loneliness. I interpret the character's choices as deliberate actions. When they choose not to come together, run away or act on their impulses, they demonstrate immense control over their lives. In the end, their unconsummated love remains pure like a fantasy, and they still have their family, career. What is Wong Kar Wai's point here? That love is a mood that passes through, but duty and discipline will build things that last? Maybe that's too much of an old-fashioned interpretation, but in the end I admire their choices and commitment to their own morals. 

Comments

Popular posts from this blog

The Painted Door - Sinclair Ross (from personal journal)

(Originally posted on 10/1/2009) ( Footsteps in snow. S orry, can't find the photo taken by Wayne R. Bilenduke that was printed in my book. Alternative photo.) I think this is by far the story I have to spend the longest time reading. Mr. Guraliuk was right, this is a very sleep-inducing "short" story. "It goes on and on and on and on… like forever". But, paradoxically, that's what makes it such a brilliant short story. When you read Sinclair Ross's lines, you feel cold. You can imagine the coldness of hard window glass pressing against your fingers as you look out to the freezing white snow-covered endless landscape and long for the person you love to arrive. You can feel your eyelids heavy as you watch the time go by; your heart heavy with sadness and loneliness but still not letting go of that weak hope, the only hope that keeps you still alive amidst the brutal coldness of winter. Of course if you've never been through a cold, white and l...

man and his bike

The bike laid next to a "Bike Vancouver" bike rack quietly and stubbornly. Her skeleton was black and a small pink Kryptonite held her close to the rack. She was brutally minimalistic. Without a kickstand, she's leaning against the small steel structure, resting her entire weight, light but sturdy, on the support. I took a step closer and realize she's without brakes. I frowned, and the bike simply stared back defiantly. With a skinny Brooks saddle, placed rather high up compared to the handlebars, I knew the owner was a savvy hardcore biker. In between the spokes, a picture of a woman - perhaps an actress or singer from the 70s that I couldn't recognize - was nicely placed, but precariously. What is the rider trying to say about himself? He also is riding without lights or a rack. No stickers, no colours, no visible brand name. You'd think he's a humble and low-key personality, but the small touches of customization makes me feel he's trying to say s...

so yesterday

If it's over, let it go and Come tomorrow it will seem So yesterday, so yesterday  - Hilary Duff Such a bittersweet teenage song. I remember the days I was still lipsyncing to Hilary Duff in my bedroom in Vietnam. I was 13 or 14 then, fantasizing I was a Disney star. So yesterday. As a teenager, I found it hard to understand how I felt about many things. Reading back some of my diary pages, I sounded over-sentimental, whiny, hyper, unstable, confused. Perhaps when I am 30 I will think of myself now the same way. But growing up, particularly for me, the biggest challenge was saying goodbye to the things I am used to. I had to learn how to embrace things as they last and not cry when they were over. Saying goodbye isn't easy, and moving in life isn't a breeze. This summer I felt this odd sensation of wanting time to stop, but at the same time wishing it would past faster. For a good chunk of this year I doubted myself in everything, and pushing myself to move on fr...